Strobist Equipment
From my own experience, when trying to get hold of the gear you want for a photographer’s lightweight Strobist kit, living in the UK doesn’t make things that easy. So, to help you on your way in getting the most out of your camera and strobes / flashes, below are some companies which can supply some of the essential components for your Strobist system. If you want to cut straight to the chase, here are quick links to the exact items I’m using on the Jacobs site (I’ve now spent more at Jacobs than anywhere else (all my pro-level lenses and body have come from there), and have been happy with their service!) For info, the original places I had to dig out some of this equipment from are listed below the links.
- Manfrotto 001B Nano lighting stand
- Manfrotto MN026 umbrella mount
- Nikon AS19 stand (for mounting my SB-800s to the umbrella mounts, and the corresponding stand for the SB-900). You could also use something like the ones below (note, I don’t have any of these next adapters, as the Nikon stands serve all my needs for my speedlights – SB-800/SB-900)…
- HAMA Tripod Hotshoe Adapter – this will work for you if you are using a flash which isn’t going to be sync’ing via its hotshoe. If you need one with a sync port built in (e.g. if you are using PocketWizards with an SB-600), then there are plenty of alternative options, like this one…
- Interfit Hotshoe to Lightstand Adapter – which is not as well built as the HAMA adapter, but does have a sync port. There are also plenty of dirt cheap alternative knocking around on eBay.
- Manfrotto Spring Clamp and Hotshoe (AKA The Justin Clamp) – I have two of these and use them a lot. They’re great if you need to travel extra light, and can’t take a stand, and also for fixing a speedlight in places where a stand just wouldn’t work. Note that if decide to shop around for one of these, make sure you get the one with the hotshoe built in, and not the standalone clamp, otherwise you’ll still need to buy some extra bits and pieces yourself to allow your speedlight to be mounted.
And my original sourcing…
- For the lightweight Manfrotto 001B Nano lighting stand, umbreIIa mount and hot-shoe adapter, all these are available as a kit (or separately if you so wish) from The Flash Centre. If you live in London, they have a store near Russell Square which is well worth a visit. [See below for an update on the Flash Centre Starter Kit.]
- For the collapsible Westcott umbreIIas, you have three choices (white shoot-through, silver reflective, or white with a black cover for use either way) available from Creative Video. The customer service I have had with these guys has been exceptional. Shipping though is quite expensive, and it’s worth noting that these are now available from The Flash Centre.
- For ball bungees and strobe filters (both colour correction and for effects in your photographs), I use FlashGels.
- For budget wireless triggers (Cactus V2s), go to Gadget-Infinity on eBay and search for “trigger”. Although shipped from the far east, postage charges are very reasonable, the shipment never seems to attract any VAT or duty at customs, and normally comes through in 4 to 5 working days. Once you get them, you can make some relatively simple changes to get the reliability of the transmission up to near enough 100%, and increase the range by an order of magnitude. You simply need to cut a small hole in the case, and fix a 44 Mhz stubby aerial, wired with shielded wire to the antenna point on the circuit board, and the shielding on the wire you’ve used fixed to the -ve of the battery terminal. You can read more about my modification on this page. Note that I rarely use these though, as the reliability does get on my nreves. The modification vastly improves it, but it still is far from perfect. I usually (dependent on conditions) run with either Nikon CLS, or PocketWizards, but this choice will obviously be dictated by your budget.
Once assembled, the above kit looks like the following (this is my kit, excluding the triggers) – a very portable package:

I have used all of these suppliers myself, and found their service to be excellent (unless otherwise specified). Note that I don’t get anything myself from you choosing to purchase from these guys – my recommendation is simply based on the experience I had with them all. Additionally, most of the above (apart form the eBay triggers) are UK based, so no complications with import duty or VAT.
Another useful tool (or rather reference work), is the classic book “Light: Science and Magic: An Introduction to Photographic Lighting“, which contains a ton of first principles information on lighting a whole range of different subjects. I can highly recommend this as a source of solid lighting theory to back up the Strobist approach.
An alternative vendor for the lighting stand (and other equipment) is Teamwork Photo & Digital, although I haven’t tried these chaps myself yet, so I can’t vouch for their service. However, Rams, who runs the London Strobist Meetup group on Flickr, has let me know that he bought his stands, clamps and spigots form them a couple of years ago, and had excellent service.
A UK company I would not recommend is Fotosense. I have tried to use this company twice now, and on each occasion, they have caused me frustration, and provided generally poor service & poor response to complaints. I recommend you steer clear to avoid frustration!
Note on Flash Centre Starter Kit
We’ve had an interesting comment from Scott posted below, regarding the small flash starter kit from The Flash Centre, and the problems he has with it. When I first wrote this article, the starter kit that they provided came with a Manfrotto umbrella mount, which has given me sterling service. However, it now sounds like they have changed to a Lastolite mount which has issues as reported by Scott. Considering that, it may be worth buying the parts separately, namely, the Manfrotto stand, Manfrotto umbrella mount, etc, etc, to ensure that you get the exact items you want. Thanks for the comment, Scott.
A Final Thought
One last thing to think about – you are inevitably going to buy a whole range of bits and pieces to make your lighting kit work exactly how you want it to, and it’s tough to make an exact recommendation unless the specifics of what you’re looking for, or your existing kit, are known. I may put another post together at some point which provides a number of options for a complete starter kit, but for now, the info above should give some good starting pointers. Any specific questions, feel free to contact me.
Finally, if you have found the above information useful, and it’s saved you some money on import duty and VAT, please feel free to make a donation through Paypal to me to keep this site alive by clicking on the button below – it will make me smile too
If you liked this post, you may also like:
- Strobist Boot Camp II – Assignment 1
Cactus V2s Modification
Strobist Boot Camp II – Assignment 2
Strobist Flag Raising on Iwo Jima
The Youngest Strobist?

Subscribe to this blog
Follow on Twitter





Thanks for this, David, it’s all the information I need in a nutshell. Really appreciate it.
Lenny
Hi, could you explain in bit more detail how you added an external aerial to your radio transmitter please? Thanks.
is there a place to buy triggers that are already modded up
I Visited Teamworkphoto in London last week and couldn’t be happier with my purchases. Incredibly helpful chaps for a newbie such as myself and prices that made me stop cursing America for their damn cheap strobist gear
Thanks Dave,
Fantastic info. I’m just dipping my toe in the off camera flash game and wondered if, on a budget, investing in the Interfit EX150 kit would still allow you the portability of the light stand you mention here? Allowing you a basic studio set up AND portable off camera flash?
Regards, Olley
@Olley. Thanks for the comment. A very slight issue is that the stand with the EX150 is 4 rather than 5 section, which means slightly longer, so portability would be hit a small amount, as would having a regular (rather than collapsible) umbrella. Having said that, not too much of a difference. For me, the main difference would be the move to studio strobes rather than taking the speedlight approach, as that does start to impact portability quite considerably. It’s really going to come down to how portable you actually need to be. Dave.
Another source for ball bungees is a good boat chandlers, you can buy the shock cord and balls seperately and make them any length you like. I made some extra short for securing cables and incredimentally extending longer ones, in 3 sizes/strengths 3/4/5mm dia cord, the 5 mm needs the larger balls they sell. They also sell a variable length bungee plastic end gizmo that goes on one end, you pass the free end round the item to secure then through the plastic gizmo and lock it into the grip bit, ok sounds complicated, but bloody useful.
[...] this year they wanted something more dynamic regarding the images. I set about packing my strobist gear and put my creative head [...]
I’d just like to point out that the small strobist kit from The Flash Centre isn’t that great. The head is next to useless, as the hole for the umbrellas isn’t angled, so there’s no way to get an even light distribution!?!?!
I’ve now got to go the the aggravation of returning it, at my own expense, before i buy a decent one. Buy cheap, buy twice as they say…
I went into the flash centre in London today, and although initially impressed with their array of equipment, I found their staff rather unhelpful. I came away with a stand and westcott umbrella, but discovered afterwards they had sold me the lastolite head. I took it back, mentioning that I’d read that people online had problems with them, and they made me feel like a complete moron. According to a portly arrogant man (the manager?) Lastolite are the best in the industry. I asked about a Manfrotto mount and was told there was no such thing – only a light mount which needed a further adapter. Anyway, I got a refund, but I have an incomplete kit. Anyone know the Manfrotto part numbers and where I could get them from quickly? I’m going away on Monday, so I’d like to have a working set up to take with me.
@Ian – to be fair to TFC, Lastolite are indeed a very good brand. It just appears that in the case of the umbrella mounts, many speedlight users would like to have an angled umbrella mount, such that the speedlight head is directed to the centre of the umbrella, rather than slightly off to the side. I can only go off what others have told me, as I’ve never used the Lastolite one. However, I’m adding some links above (which I’ll expand over time) to cover precise links to the items I’m using.